The things you say: your purple prose just give you away.
PS - Tell me James Atkin doesn't look like Joseph Nagle, Carpenter's Mate on HMS Surprise.
The things you say: your purple prose just give you away.
PS - Tell me James Atkin doesn't look like Joseph Nagle, Carpenter's Mate on HMS Surprise.
You ask, "What sort of man
Was this?"
—No worthier than
A pendulum which makes
Between its left and right
Involuntary arcs,
Proving from morn to night
No contact anywhere
With human or sublime—
A punctual tick, a mere
Accessory of Time.
His leaden act was done,
He stopt, and Time went on.
Cecil Day-Lewis.
Scenes in the life of a lesser angel:
I borrow wings from other angels, coastthe streets to find feathers loosely attachedto slender silver ties. With care, I close the catchand fasten cardboard stiffened form so closeI cannot breathe or fly for the airpushed out into a world in masquerade.I am African. I am goddess with flaresounding the trumpets. I call out God.Meaning changes like sea water in storm.I part the crowds until, beaten, my wingsfly, fall, litter the streets. I cradle the newborntwins and realize that I am fallen,a lesser angel, wingless and depressed.I am seductress unpetaled, undressed.
Raina J. León.
It’s 40 years since the Chornobyl nuclear disaster (April 26, 1986).
— Yaroslava (@strategywoman) April 26, 2026
The Soviet authorities hid the truth in the first days.
🇺🇦 Maria Prymachenko
The Fourth Reactor Unit, 1988 pic.twitter.com/rr5aUSLYaN
Forty fucking years.
Don't have space to say much more than that. My first trip to the Soviet Union was just a few months later. Met survivors in Sochi. I often think about them.
Selah.
AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA pic.twitter.com/CImGuRzoUB
— Spooky JL (@spooky_JL) April 23, 2026
That is backdrop for this one:
I’m more comfortable with people having AI partners as long as the AI is capable of regularly saying, “Oh my God, what the fuck are you even talking about?”
— Mike Drucker (@MikeDrucker) April 25, 2026
I have been superduper busy recently building a completely new curriculum about building AI tools with AI tools. I have taken this opportunity not only to address expected topics, but also to get up on my soapbox about ethics and responsible use.
One element of that is cognitive surrender. That is, the passive, often accidental process of merging your own understanding with the output or action of a tool. In my curriculum, this is not an afterthought, but is an essential part of the design. Or rather, interrupting cognitive surrender is.
I've baked in a variety of checkpoints into the building activities, which actually mirror what I've been doing in my own work. From the outset, I want my learners to think about what they are doing (metacognition) as much as they are thinking about what the AI tools are doing (transparency). All of it to make sure they aren't outsourcing their cognition to a probability engine, especially for an inapt use case while unnecessarily consuming lots of electricity and water, and generating emissions that harm certain communities (and ultimately all of us).
I have a bigger post (and actually a manifesto, not kidding) brewing about that and a lot of other stuff, but for now I'll just say that my AI tools do the very thing that would make Mike Drucker more comfortable. They've told me to:
And that's where I need to leave things for now. Manifesto is still marinating (it's actually a whole thing about friction as pedagogy, and consequential cognitive cockups by yours truly as parables and warnings).
But I will just say that a key log has been removed recently (bonus: not from medication!), which has really helped me with my decision fatigue, executive dysfunction, etc. I don't want it to be turned into a passive Easy Button, but I do now have tools that manage the underlying cognitive infrastructure load (scheduling and where the hell did I put that note and whatnot), and I can focus my CPU cycles on bigger things.
Bigger things, as I have been reminded by a certain tool, such as mowing the lawn today. Fucking AI assistants, man.
<exits singing, Surrender, surrender, but don't give yourself away, hey, hey>
In the branches of the laurel treeI saw two dark dovesOne was the sunand one the moonLittle neighbors I saidwhere is my grave —In my tail said the sunOn my throat said the moonAnd I who was walkingwith the land around my waistsaw two snow eaglesand a naked girlOne was the otherand the girl was noneLittle eagles I saidwhere is my grave —In my tail said the sunOn my throat said the moonIn the branches of the laurel treeI saw two naked dovesOne was the otherand both were none
Federico García Lorca.
From plane of light to plane, wings dipping throughGeometries and orchids that the sunset builds,Out of the peak's black angularity of shadow, ridingThe last tumultuous avalanche ofLight above pines and the guttural gorge,The hawk comes.His wingScythes down another day, his motionIs that of the honed steel-edge, we hearThe crashless fall of stalks of Time.The head of each stalk is heavy with the gold of our error.Look! Look! he is climbing the last lightWho knows neither Time nor error, and underWhose eye, unforgiving, the world, unforgiven, swingsInto shadow.Long now,The last thrush is still, the last batNow cruises in his sharp hieroglyphics. His wisdomIs ancient, too, and immense. The starIs steady, like Plato, over the mountain.If there were no wind we might, we think, hearThe earth grind on its axis, or historyDrip in darkness like a leaking pipe in the cellar.
Robert Penn Warren.
Look in thy glass and tell the face thou viewest,Now is the time that face should form another,Whose fresh repair if now thou not renewest,Thou dost beguile the world, unbless some mother.For where is she so fair whose uneared wombDisdains the tillage of thy husbandry?Or who is he so fond will be the tombOf his self-love, to stop posterity?Thou art thy mother’s glass, and she in theeCalls back the lovely April of her prime;So thou through windows of thine age shalt see,Despite of wrinkles, this thy golden time.But if thou live rememb’red not to be,Die single, and thine image dies with thee.
William Shakespeare.