Monday, May 25, 2026

The Res Novae of Our Time

Oh, you bet I had my agentic librarian waiting for this banger to drop.  As is my wont1, I asked Brother William to highlight a few things to kick us off:

  1. The biblical dialectic — Babel vs. Jerusalem's walls avoids both utopian technophilia and reactionary rejection. Technology isn't evil; its domination without moral discernment is the disorder.

  2. The private power shift — Where Rerum Novarum addressed labor-vs-capital within state economies, Magnifica humanitas confronts transnational private actors whose resources exceed governments. That's a fundamental update to the tradition's framework.

  3. Anthropological foundation for AI ethics — The encyclical provides what the secular discourse has lacked: a comprehensive account of human dignity rooted in the Incarnation, not reducible to utilitarian calculus or detached rights-talk.

First one seems generally aligned with what I blogged yesterday.  Second certainly has been on my mind a lot, with the oligarchs hyping things up with no true concern for human consequences, despite lip service they pay to safety, socio-economic impact, etc.  I'll have to dig into the third more deeply, but seems somewhat connected to AI art and the human soul, amongst other things.  Anyway, I also found a couple items of note, to wit...

In the beginning:

Technology should not be considered, in itself, as a force antagonistic to humanity. On the contrary, it has formed part of our history since the beginning as “a profoundly human reality, linked to the autonomy and freedom of man.” Over the centuries, technological development has significantly improved the living conditions of humanity. At the same time, each phase of progress has also revealed the ambiguity of tools that can cause harm when not oriented toward the good. 

Today, however, we find ourselves facing a new situation. The power and prevalence of emerging technologies are interwoven into the fabric of daily life, shaping decision-making processes and deeply affecting the collective imagination: “Never has humanity had such power over itself.” New technologies open up a horizon extending in directions that are imaginable but not yet fully predictable. This complicates the assessment of their potential impact and the long-term effects they may have on both the dignity of individuals and the common good.

Indeed, we have guided missiles, and misguided man.  I think this is the foundational, guiding principle: we are makers of tools, and as moral agents, we decide how to use those tools for good or ill.  It has ever been thus.

A shared responsibility:

The various areas just considered — the search for the truth in public life, education in the digital environment, the transformation of work, the fragility of families and new forms of slavery — are not isolated phenomena. Rather, they reflect a common underlying issue, namely that if technology becomes the ultimate criterion, the human person risks being reduced to data, a cog in a machine or a commodity. If, however, technology is integrated with a wise perspective, it can become an instrument of growth, justice and fraternity.

The section header particularly caught my eye because we frequently talk about a shared responsibility model in terms of security.  Ostensibly, security is our top priority (that's straight from our messaging), and I've been extending that by observing ethics is the top priority of security, doing the right things for the right reasons, and everything else devolves from that.  One cannot provide security if one is not ethical (from where I sit, at any rate), so ethical use of AI or any tech is as much a shared responsibility as security.  

From training models to using the tools, we all must interrogate how and why we use AI, who gains and who is harmed, etc.  It's something to grapple with as a society as much as the use of nuclear power or motor vehicles or social media.

Toward the end:

Let us invest in education, beginning with ourselves! We all need to learn how to engage with the digital world in a human way, as an integral part of our education in the faith and in a life lived according to the Gospel. Indeed, we must consider the digital world as a new continent to be evangelized, one that requires generous missionaries who are mature in the faith. 

In a particular way, we need adults to rediscover their vocation as artisans of education, prepared to work patiently each day, with the support of extensive and shared educational partnerships. Today, accompanying children and young people in using technology for developing responsible relationships, helping them to recognize the risks and choose what fosters inner freedom, is a concrete form of charity and will safeguard their dignity. Teaching new generations that technological evolution does not follow a predetermined path, but can be guided by personal and collective responsibility, constitutes one of the most valuable services to the common good.

I do get off the bus with the evangelizing language in a purely religious sense, especially with the subtext of colonization ("new continent").  That said, I have observed before that I view my work, leaning into the ethical and humane when teaching about AI, as bearing Witness in a Quakerly way, and I do sometimes think of myself as a pilgrim in an unholy land.  But it all fits with my philosophical perspective, that there is a prerequisite maturity when debating, building, and using these tools.  

It's about teaching from a good ethical foundation.  Some might question the inherent ethics of using AI in the first instance, yet it is here, a thing in the world with which we must contend.  We will sooner draw all the water from the sea with a spoon than get rid of the technology, so it's up to us to learn and guide others through the shoals.

Selah.


1 - One of my first integrations with Amazon Quick was setting up an MCP server for the tool to communicate directly with The Abbey.  Then I built an agentic process to look for research papers and other works regarding AI ethics, security, social impact, etc, for me to review and decide whether to ingest into The Library (a Bedrock knowledge base).  For validation, it always queries William about the new content.  Yes, it's a bit ironic that I start with the AI's findings here.

Sunday, May 24, 2026

Like the Cosmos, I, Too, Am Finite but Unbounded


Whatever am I talking about?


PS - Full episode.

And here are your stars which appear still keen on shining as though you had never been.

Song of Welcome:

Here’s your mom, here’s your dad.
Welcome to being their flesh and blood.
Why do you look so sad?

Here’s your food, here’s your drink.
Also some thoughts, if you care to think.
Welcome to everything.

Here’s your practically clean slate.
Welcome to it, though it’s kind of late.
Welcome at any rate.

Joseph Brodsky.

5318008

I've remarked previously on my own tools' penchant for telling me to stop working, so this isn't surprising in the least.  And the "nobody understands why" stuff is really silly because it's clear that LLMs have been trained on narrative arcs that lead them to "sense" the natural end of an interaction, and thus signal to you that you ought to go away.

There is no deeper mystery here.  Folks who are puzzled by that likely also think this is some kind of dark magic:

The fucking things are just behaving as they've been designed.

Selah.

Oh Well, We’ll Know Better Next Time

[T]here is nothing either good or bad but thinking makes it so.
Hamlet


Ian Bogost has some good thoughts it in Why College Students Are Booing AI:

[T]he harm the technology is accused of bringing about – a slurry of automated thought and expression built of approximated, statistical sentiment rather than considered, individual judgment – motivates AI detractors as much as proponents. That "AI thinking" is now all thinking, and that it amounts to not thinking much at all.

The whole notion of opposition to or support of AI has started to seem irrelevant. A host of conditions – among them handheld computers and social media, cable news and supermarket tabloids, technological opportunism and historical ignorance – produced a situation in which "The Class of 2026 Hates AI" emerged as a convenient headline, one compatible with the social-media music-discovery process that Borchetta accurately explained.

And, you know, maybe the class of 2026 does hate AI. Surveys suggest that it is widely unpopular in the United States, and for good reason. AI is not yet responsible for the wholesale collapse of the job market, but companies have certainly used AI as an excuse to cut jobs or not fill new ones. The entry-level-job market is worse than it's been in almost four decades, and those are the opportunities that today's graduates were promised when they were coaxed to strive toward the accomplishments that got them into college in the first place.

Whatever pressure AI is exerting on opportunity seems doomed to make students even more focused on aspiration and success. That pressure will only worsen the state of affairs in colleges and universities, which are also beset by the financial chaos of the second Trump administration, a cascade that may threaten the very idea of American college life. The boos don't mean nothing, but they probably don't mean something easily summarized, either.

So an easy answer is: Just blame AI anyway. If the same forces of power and control that turned Napster into Spotify, and Google into Gemini, would stop turning the screws yet again, and even more tightly, on the torture machine that has been constricting us for years and decades, then we would be free. I suppose that is true, but it is also a fantasy. And the future is built not from a fantasy but from the present, and the present is given to us in its current form.

This is different from saying AI is here, so deal with it. In the ideal version of the college classrooms of 2026, a topic such as this would be given the time, space, and attention to unfold slowly, deliberately, and systematically. "It's complicated!" the ideal version of a professor like me would say, and the student would want to learn more, and would exit the classroom and cross the quad talking about it, and would come to office hours and write a thoughtful paper and be inspired to pursue a calling or invent an idea or just reverberate inside the complexity of the question, and by extension the complexity of most questions, or most good ones, anyway. I wonder if such a future can still exist for college students (or professors, or writers), or if it has already been abandoned. I worry that this time, the answer is a simple one.

This is an age wherein we all inhabit contradictions (perhaps it has ever been thus).  We can be prisoners in Denmark, or kings of infinite space bounded in a nutshell, often simultaneously.  

Introducing a baseline activity on Friday, I told my new cohort that the curriculum is as much about their thinking about their thinking as it is about building, and building with, AI tools.  My theme throughout everything I do has been simply to ask that we all show up as our authentic selves, and refuse to cede our cognition and humanity to computed probabilities.

In conclusion: This above all – to thine own self be true.

When I Get Older, Losing My Hair

First, I just wanna make note of something:

Don's one of my favorite (and currently oldest) active astronauts, so that's nice.  Anywayz...in a glibly related vein, today marks the 64th anniversary of Mercury-Atlas 7, with Scott Carpenter piloting Aurora 7 for a modest three orbits:

The original pilot selected for Mercury Atlas-7 was to have been Deke Slayton, with Wally Schirra as his backup. However Slayton was removed from flight status after the discovery of idiopathic paroxysmal atrial fibrillation during a training run in the g-loading centrifuge. Slayton had chosen the name Delta 7 for the spacecraft, as this would have been the fourth crewed flight and Delta (Δ) is the fourth letter in the Greek alphabet. 

Instead of using Schirra, who was backup, it was decided to give the mission to Carpenter, who was the backup crew for Mercury-Atlas 6, had trained with John Glenn, and was considered the best-prepared astronaut. When Carpenter was given the mission, he renamed it Aurora 7 for the open sky and the dawn, symbolizing the dawn of the new age. The number Seven was also chosen for the Mercury 7 astronauts. 

In addition, Carpenter's home address in his childhood was the corner of Aurora Ave. and Seventh St. in Boulder, Colorado, although at a talk he gave at the Boulder Theater in 2003, Carpenter admitted that he never made the connection between the Aurora 7 spacecraft and the address of his youth until friends pointed it out to him after he made the flight... 

The performance of the Mercury spacecraft and Atlas launch vehicle was excellent in nearly every respect. All primary mission objectives were achieved. The single mission-critical malfunction which occurred involved a failure in the spacecraft pitch horizon scanner, a component of the automatic control system. This anomaly was adequately compensated for by the pilot in subsequent in-flight operations so that the success of the mission was not compromised. 

A modification of the spacecraft control-system thrust units was effective. Cabin and pressure-suit temperatures were high but not intolerable. Some uncertainties in the data telemetered from the bioinstrumentation prevailed at times during the flight; however, associated information was available which indicated continued well-being of the astronaut... 

Other than slight exhaustion, Carpenter was in good health and spirits and post-flight medical exams did not find any significant physical changes or anomalies. Kraft, however, was unhappy with the astronaut's performance due to his needlessly high expenditure of attitude control fuel, which resulted in reentry and landing taking place well off-course. As a result, Carpenter was sidelined for future missions. He left the space program in 1964 to participate in the Navy's SEALAB program. Aurora 7 is displayed at the Museum of Science and Industry in Chicago, Illinois.

A little more about Chris Kraft's attitude:

Kraft did not hesitate to assign blame to Carpenter, and continued to speak out about the mission for decades afterwards. His autobiography, written in 2001, reopened the issue; the chapter that dealt with the flight of Mercury-Atlas 7 was titled "The Man Malfunctioned". In a letter to The New York Times, Carpenter called the book "vindictive and skewed", and offered a different assessment of the reasons for Kraft's frustration: "in space things happen so fast that only the pilot knows what to do, and even ground control can't help. Maybe that's why he is still fuming after all these years."

Kraft was critical to the birth of our space program, and I generally like him, but I think he was being a dick here.  From This New Ocean: A History of Project Mercury:

In [the] postflight sessions the astronaut insisted that he knew what he wanted to do at all times, but that every task took a little longer than the time allotted by the flight plan. Some of the equipment, he said, was not easy to handle, particularly the special films that he had to load into a camera...

Moreover, the flight plan that had been available during training was only a tentative one, and the final plan had been completed only a short while before he suited up for the launch. Carpenter felt that the completed plan should be in the astronaut's hands at least two months before a scheduled flight and that the flight agenda should allow more time for the pilot to observe, evaluate, and record... 

Talking with newsmen after the flight, Carpenter assumed full responsibility for his high fuel consumption. He pointed out, however, that what he had learned would be valuable for longer Mercury missions.

That issue about time is particularly important, as that was a theme throughout the early days of our space endeavors.  Everything people on the ground thought would be easy ended up being much more complicated and time-consuming in orbit.  A point that I think Kraft didn't seem to internalize.

But whatever.  We've certainly learned a lot more since then thanks to workhorses like Don Pettit and his 590 days (approx 9,440 orbits) in space.

<exits singing, I could be handy mending a fuse when your lights have gone>

Saturday, May 23, 2026

Overbearing and Perhaps Even Irrelevant


Happy Shining Premiere Day to all who celebrate!

Crepuscular

Let Evening Come:

Let the light of late afternoon
shine through chinks in the barn, moving   
up the bales as the sun moves down.

Let the cricket take up chafing   
as a woman takes up her needles   
and her yarn. Let evening come.

Let dew collect on the hoe abandoned   
in long grass. Let the stars appear
and the moon disclose her silver horn.

Let the fox go back to its sandy den.   
Let the wind die down. Let the shed   
go black inside. Let evening come.

To the bottle in the ditch, to the scoop   
in the oats, to air in the lung   
let evening come.

Let it come, as it will, and don’t   
be afraid. God does not leave us   
comfortless, so let evening come.

Jane Kenyon.

We’re Going to Put a Happy Little Bush Right Down over Here in the Corner There and That’ll Just Be Our Little Secret

I admit that I excitedly played around with Midjourney when it was released four years ago.  But after a couple months, I walked away from it because it was not generating art, nor enabling my creativity.  It was a slop machine, and even as AI tools' output has "improved", it still ain't art or creativity.

I think this is the best encapsulation:

"AI is data, and data can only look backward. Creativity looks forward"  
A profound statement on the level I want to frame and hang on the wall

I do fancy myself as creative, but expression of such lies elsewhere.  Yet I enjoy art despite my artistic ineptitude, or perhaps because of it, and long-time readers and family members know I adore Bob Ross for myriad reasons.  

It is not impressive to me, beyond maybe the technical aspects (I am a geek, after all), that a computer can put a bunch of pixels together in a plausibly cohesive way at scale based on large sets of stolen data.  Without consciousness, feelings, and a soul, it's all just soulless shit, and I do not see the fucking point of it.  Rather than democratizing anything, it merely dilutes our perceptions of the world we uniquely engage with as human beings.

In conclusion: if you tell anyone that AI can create art, I will come to your house and I will cut you.


PS - I do think there are legit use cases for Pseudo Intelligence, which include coding, data analytics, and even learning augmentation.  But an AI tool could never feed Peapod the squirrel with joy in its heart.

Friday, May 22, 2026

Ladies and Gentlemen, You Can’t Dance in Here! This Is the War Room!


Well, maybe in Drunky McSecdef's war room you can.

What I’m Doing at Work, Actually

We're Building the Ship as We Sail It:

The first fear
being drowning, the
ship's first shape
was a raft, which
was hard to unflatten
after that didn't
happen. It's awkward
to have to do one's
planning in extremis
in the early years —
so hard to hide later:
sleekening the hull,
making things
more gracious.

Kay Ryan. 

Thursday, May 21, 2026

This is it, the apocalypse


One of Lou's greatest roles.

I’m Waking up to Ash and Dust

Ode on Solitude:

Happy the man, whose wish and care
   A few paternal acres bound,
Content to breathe his native air,
                            In his own ground.

Whose herds with milk, whose fields with bread,
   Whose flocks supply him with attire,
Whose trees in summer yield him shade,
                            In winter fire.

Blest, who can unconcernedly find
   Hours, days, and years slide soft away,
In health of body, peace of mind,
                            Quiet by day,

Sound sleep by night; study and ease,
   Together mixed; sweet recreation;
And innocence, which most does please,
                            With meditation.

Thus let me live, unseen, unknown;
   Thus unlamented let me die;
Steal from the world, and not a stone
                            Tell where I lie.

Alexander Pope.

#throwbackthursday

Bubsy eleven years ago.